The very nice lady in charge of organising this exhibition has asked for some information to go with the work on display. She suggested a few questions to consider and after umming and ahhing I chose the most appealing.
Thought it might be an idea to share the completed musings so here they are....
has been a part of my life for as long as I can remember. In fact my first
aesthetic experience involved a line. The infants’ teacher drew a letter ‘a’ in
my book and I remember walking home gazing at this letter and thinking that it
was the most beautiful thing I had ever seen.
recent Summer School at the Slade and a botanical painting workshop in Cambridge with Evelyn
Binns have had a profound effect on my work. The former gave me tremendous
self-confidence and the latter technical skill.
most enjoyable aspect of painting is the ‘Wow!’ moment when elements suddenly
come together and something wonderful appears. It doesn't happen every time but
when it does – Wow!!!
retired from a career in teaching I am now able to paint whenever I want in my
studio at the bottom of my tiny garden. And although it might be tiny my garden
and greenhouse are very important in my life. As is Slawit Bob our little white
miniature schnauzer who affords us great pleasure.
my children were growing up I was involved with patchwork and quilting
producing wall–hangings in colourful silks and cottons which satisfied my
creative needs at the time.
goals and plans has never been part of my makeup –merely lurching from one
crisis to another or bumbling through life is much more my style although I do
hope to continue painting for as long as I am able.
the question arises ‘How do you know when a picture is finished?’ and I always
give the same answer which seems to work for everything really whether it’s
flower arranging or cake icing. If I need to wonder whether or not I should put something else in then the answer is always no – it’s finished.
Occasionally I ignore my own advice and will completely ruin a piece!!!
awake or idly gazing into space contemplating my perfect dinner party is always
an idea that appeals and there has been a shifting cast of characters attending
ranging from Alexander the Great to Simone de Beauvoir. Currently my invitation
list includes Robert Graves, Laurence Durrell, Richard the Third, Rudyard
Kipling, William Morris, Germaine Greer, Richard Burton, Marin Alsop and John Denver.
the piece of advice I offer the world is to love. When all is past and gone
that is what remains….
After a very busy and exhausting week I am finally back in the studio to try and put it back together after last week's exhibition. I have to decide which paintings should go on the wall and which should be propped up in a corner - if I can find one that isn't already full of stuff!
I am rather hoping to work on some painting shortly after buying yet more brushes from the epic Cornelissen's art shop which is wonderfully Dickensian and can be found at the end of Great Russell Street five minutes away from the British Museum.
If you have not visited - it is worth making the effort if you are in the area. It is completely magical and I want to buy everything of course....
After my course in Cambridge the other week I find that my work is now moving in a new direction which I find really quite exciting. It's fascinating how I am not aware of learning anything to start with but I realise that I must have done so because subsequently it comes out in my work.
So - I think I would like a bit of a clear out in my studio to go with the clear out in my head.
Should anyone think that they might like an original piece of my artwork - please come and discuss the options. I am prepared to do deals - not quite BOGOFF's - but then again - who knows???
Remember, if the light is on - I am open but you can always ring or knock on the door to have a look if you are passing...
It was a hundred years ago this summer, the 28 June to be exact that the Archduke Ferdinand was assassinated in Sarajevo. It was only just over a month later that Britain sustained her first casualties when a cruiser was sunk at sea and the British Expeditionary Force landed in France.
The war which was to take the lives of so many young men as well as the old, the young and the desperate from all over Europe, had begun.
And so I offer this piece as my painting this month. It's a watercolour, framed and is about 16" x 20".
We are all aware of the significance of the poppy I'm sure and I like to think that the tangle of leaves and stems echoes the barbed wire of 'No Man's Land' with the beauty of the bright poppies emerging from the ghastliness.
In Flanders Fields: John McCrae
In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.
We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie
In Flanders fields.
I have omitted the final verse - it's reconciliation not further bloodshed that should concern us now.....
I have recently brought back some paintings from where they have been hanging for the past few months. It's always good to reacquaint myself with my older work. These tulips grew in my garden a couple of years ago and I was particularly drawn to the rich dark colour of them which is quite unusual in most tulips.
I have decided to post each month on Facebook, a painting of which I am rather fond and offer it up for auction.
The frame of this watercolour is a plain unfinished wood and the whole thing is 21" wide x 17" deep, strung and ready to hang.
So - this piece is available until the 30 June with a starting price of £25 only plus £10 P&P if relevant. I will accept cheques as well as Paypal unless the buyer is able to call into the gallery where I am able to process credit/debit cards.
If there are any questions or bids, then please contact me by